This week’s
section of the Gentle Art of Domesticity focuses on how we choose and display colour
in the things we make.
Ripple Effect
I really enjoyed
Jane’s ruminating about the changes in crochet and how it was enjoyed and
employed rather differently ‘back in the day’, more of a use it up and wear it
out attitude than our consumerist desire for new which is common to the modern
era. The same can be said about vintage quilts and fabric stashes but for this
section we’ll stick with crochet.
“I like the
mish-mash of colours in vintage crocheted blankets; the way the makers seemed
to use whatever they pulled from their workbag, the way they revelled in
clashes and contrasts…” (page 52)
If you’ve been
reading Elefantz for a while you’ll be aware that I’m in the process of completing
a Sweet Pea crochet blanket for my almost 1 yo granddaughter, Rafaella. I saw a
photo of the original blanket last year and purchased an identical yarn pack.
Now this was fine because I don’t normally play with 8 ply yarn so did not have
bits and pieces to use up, but Jane makes a very good point here about how in
the past crochet was quite often a ‘thrift craft’, a means of using up leftover
yarns and colours. I shall indeed have a good supply of leftovers when Rafaella’s
blanket is finished and now I’m inspired to use every last remnant in other
ways.
“This is free
and liberated creativity in which simplicity of form gives huge possibilities
for playing with colour.” (page 52)
When I was
young and visiting a neighbour my eyes would rarely move from the beautiful and
large granny square crocheted blanket she had draped over her couch. Every
square was a set of different colours but they were all joined together with a
black border which at first bothered me because I did not like black and in my
young mind I questioned why Nana’s old friend hadn’t just used more colour. Surely
it would have been prettier? The crochet blanket was backed with tartan
flannelette and the two pieces joined together around the outside edge with
more black crochet.
One cold winter
day during our visit I became very drowsy as Nana and her friend chatted away
and drank tea so the maker of this odd blanket pulled it from her couch and
wrapped me in it. Snug as a bug in a rug I drifted off to sleep and the memory
of that comforting softness sits within my memories to this day. That was the
day I fell in love with the bright mish-mash of crochet colours hemmed in by
bold black borders. It wasn’t just something to be looked at anymore…it had offered
me warmth, comfort and rest.
I never looked at black the same way, not when it's paired with beautiful colours as was found in that blanket.
For Jane it appears her love of colour and contrast can often be triggered by the way certain shades move within a pattern, as she discovered when crocheting a ripple blanket.
“But the wavy
stitch is dangerously addictive and it soon became a go-faster stripe as I wanted
to see how more and more colours looked. Eventually I ran out, not of steam,
but of yarn…” (page 52)
Processing
Colour
Jane is quite
adventurous in all her creations, allowing the fabric pattern or the colours
within to lead her on a journey of discovery, especially in the gentle art of
making a quilt. Surprisingly, if one particular print catches her eye she will
purchase it and then spend months collecting more pieces before she ever makes
a single cut into the fabrics.
Not so sure most of us would be that patient with our quilt making!
As mentioned
earlier in the book, before even a stitch is sewn it’s her son Tom whom Jane
turns to for a second opinion when the squares or pieces have been cut and are laid
out across the floor. Trusting his eye for colour and design has often proved
invaluable for Jane and this made me consider how wonderful it is to have someone
else who knows your style and yet sees ‘beyond’ to push you a little out of the
comfort zone.
However, it does take a great deal of trust to receive someone
else’s opinion on how you should use colour, and it’s important not to feel
pushed too far from what you’re comfortable with. After all, you have to live
with the final project and they can toddle off home and never lay eyes on it
again.
I’ll leave the
final words about processing colour in quilts to Jane…
“…if you allow
the quilt to communicate its own colour rules rather than imposing yours, you
end up with something quite different from what you had imagined, but something
with a life of its own.” (page 54)
Told you she was
adventurous!
Playing With
Colour
“I have always
envied artists who discover a tangible form of creative expression that can be
repeated over and over but with subtle variations.” (page 56)
This section
was all about taking one design and then remaking it in a variety of different
colours. Choosing one cushion she had knitted, Jane then knitted the exact same
pattern nine more times to complete nine more cushions – but each one was a
display of very different colour combos
The making of
these ten cushions taught Jane to look not just at an original pattern or
project as an end in itself but to explore the way colour could transform one
thing into a variety of moods or decoration.
And what did
Jane do with her 10 cushions?
“We sit on
them, put them under heads, feet and bottoms, scatter them on chairs and
settees…I prefer to enjoy them all while I can.” (page 59)
Since we moved
into our first home last September my own ideas on colour have been quite
turned on their head because I discovered my decorating style in a rental home
is not quite the same as the one I’m moving towards in a home of my own.
This is why it’s
taking so long to decide what to hang, what to paint, what to make, what to
display, what to give away. Reading that it can take Jane months of ‘collecting’
fabric she likes before making the very first cut into a quilt project reminds me
that progression in big decisions or even big projects are quite normal –
especially when you discover a new colour palette catching your eye, a passing
of the baton so to speak, away from the old tones you used to love and towards something
fresh and exciting. That’s right where I am at the moment, though there does
appear to be a merging of both old and new in some areas and I’m pretty happy
about that too.
** With craft supplies are you the
use-it-up and wear-it-out kind of gal or thoroughly modern and more excited by the new styles and things on offer?
** Is there a
project in your home which you made a while ago that’s lost its appeal due to
your own ‘moving on’ with regards to colour and style? Would you consider re-making
it in the colours you love for this season of life?
** Last week and this week we've read and thought a lot about colour. Are you looking at the way you use colour in your creative pursuits any differently?
** Jane's quite adventurous and open to trying a variety of colour combos and styles even when they're not what she'd normally go for - would you describe yourself that way or are you 'shy' when it comes to change?
Next week we’re
reading pages 60 - 67
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hugs